I love space. I am absolutely obsessed with outer space, exoplanets, and various other things that I don’t fully understand because I don’t science for a living or even go to school to learn how to science. But as someone who reads every science journal I can get my hands on about space and the possibility of extraterrestrial life, I think I’ve reached the point where I have at least a rudimentary understanding of things like gravity. Since I find science super fun, I’ve always been interested in exploring it through a fictional medium where I can vicariously travel to different planets and meet alien life. Stargate, Star Wars, Star Ocean, the new Star Trek movies—why do so many titles have Star in them?—and even Dark Matter and Jupiter Ascending are all right up my alley.
But one of the things that has always annoyed me about these stories is the lack of variety on the planets they go to visit. This is significantly less true for Star Wars and Star Trek, which feature a wide array of alien life and habitats, but in the end, the only way I can conclude that physics works the way it does in too many of these stories is because of magical plot convenience.
The part of me that’s a Star Wars fan has been in overdrive these past few months. With the release of Rogue One, the new season of Rebels, and Carrie Fisher’s death, I’ve been having all the feels. Due to health reasons, however, I actually fell behind watching Rebels this year, and I didn’t manage to get caught up until recently. I’m still not happy that my favorite character Ahsoka Tano is gone from the story, but she has never been the only reason I watched the show. There are still plenty of good things about Rebels to go around, and at this point, if you’re a Star Wars fan and you haven’t been watching the show, you need to.
“So this proves that, if you whine about a plot hole enough, Lucasfilm will eventually make a movie to fill it,” my friend said to me as the Rogue One credits began to roll. She had a point; while Rogue One was an enjoyable movie, if asked what it added to the franchise, the only hard and fast answer is “an explanation as to why the Empire’s superweapon had such an easily exploitable weak spot”. Ultimately, while Rogue One was a good movie with many strong emotional beats, it never quite made it to great.
It’s been about six months since the last time we reviewed a Rogue One trailer. Since then the hype has only grown, and December 16th can’t come fast enough. What we have in the meantime is this second full-length trailer.
This one reveals a bit more, but what it reveals has left me with mixed feelings.
Season 3 of Star Wars Rebels is finally upon us and its opening two-part episode “Steps into Shadow” aired just a few days ago. After the fallout from Season 2, all of the characters are struggling to find their place in the galaxy as they attempt to figure out how to move forward. The opening episodes answered a few questions, but they left us with many more, and as the season progresses, we’re probably going to start seeing the Rebel cause become bigger and bigger.
One of my favorite books when I was younger was Crown Duel by Sherwood Smith. It had everything a girl with my interests could have hoped for: a plucky heroine, rebellion, a fantasy setting, court intrigue, epistolary romance… I adored it. When I got to the end of the book, however, I discovered something strange.
The last ten pages of the book promised a never-before-seen addition to the story. Excited to read more about Mel and Danric and the rest, I eagerly turned the page… to discover that the addition was a trite and honestly embarrassing epilogue. It was tooth-rottingly saccharine, and turned the kickass protagonist into a wilting flower too nervous to talk honestly with her husband. I didn’t have much of a critical eye at age eleven, but even then I knew it was a shitty writing decision. So why are so many authors going the way of the epilogue now? It’s terrible in so many ways, and it needs to stop.