I’ve been a Marvel fan over DC since I started reading comics – the first single issues I ever bought were the starts of Kelly Sue DeConnick’s Captain Marvel run and Matt Fraction’s Hawkeye. Marvel continues to put out some amazing, progressive, and inclusive stories from its B-list characters, but at the same time it’s also putting out some of the most tone-deaf unpleasantness I’ve ever seen from a major media company in its flagship titles. What’s most frustrating in this whole complex fiasco is that, in making these terrible writing choices, Marvel is not just being problematic and offensive, but is actually dramatically undermining the entire history of the characters they’re messing with.
Representation is weird, readers. Since some people that enjoy a level of privilege also contend with marginalization, it’s difficult to say where we need to get better in our media. Despite men enjoying incredible amounts of privilege, we still have the task of dismantling toxic masculinity. While we are slowly but surely destroying the “no homo, bro” narrative of friendship, I would like to see more well formed male friendships in media that actually explore friendship and aren’t just used as passive plot traits.
So, I have to tell you how happy I am to be able to keep this series going by jumping from Ned and Catelyn to Iron Man himself, Tony Stark. That happy little coincidence would justify this post on its own, but worry not friends, I have actual points as well!
We’ve covered Captain America: Civil War a bit so far, but we’ve been light on the endorsements. And I certainly can’t speak for the entire LGG group here, but while I admit that there is no way I could ever say no to Steve Rogers if he asked for my help, when you give me a moment or two to think it through, I’m with Tony.
Captain America: Civil War is the 13th movie in the Marvel Cinematic Universe, which has also tacked on an additional nine seasons of television, between four series, with more on the way. If nothing else, it’s an incredible feat to keep producing quality stories, and Civil War may even top everything that came before it.
The movie has considerable moral and philosophical heft, which it accomplishes by asking difficult questions about right and wrong. What makes it unique, especially in the current media landscape, is that it achieves this without turning its protagonists into antiheroes. We’re not asked to accept a series of atrocities in service of the greater good, or weigh the need to tamp down our emotional attachments to do what needs to be done. Simultaneously, we’re not asked to see goodness as simple and self-evident.
Instead, we get a smart, nuanced contest of ideas between Steve Rogers and Tony Stark, with a conclusion that’s ultimately ambiguous. Despite the high stakes and increasing violence between their factions, the audience is never asked to see either superhero as corrupt or shortsighted or evil. Neither is brainwashed or deceived or misunderstood. The audience sees both as they see themselves, and as they see each other: as good men who have reached incompatible conclusions about how to do the right thing, who are heartbroken by their conflict.
Spoilers for Captain America: Civil War after the jump!
I feel like I’ve been waiting for Captain America: Civil War to come out for most of my adult life, even though it’s only been two years since Winter Soldier. Needless to say, it barely felt real going into the theater on Thursday night. I had no idea what to expect, no idea how high I should allow my hopes for the writing to be, and no idea whether I’d leave the movie emotionally devastated. (Okay, that’s a lie—I knew it was a question of how emotionally devastated I’d be, not whether it would happen at all.) And with the bad taste of Age of Ultron still in my mouth, I was generally worried for the state of the franchise.
I am happy to report that Captain America: Civil War was almost exactly the big-screen, action/adventure, Stucky-focused hurt/comfort fic I was desperately hoping to see. Spoilers after the jump!
The great joy of geek culture—whether it’s sci-fi, fantasy, or superheroes—is the ability to tell grand stories. Where else can we seriously consider the end of the world, or the responsibilities of ultimate power? These are the stories that always offer an escape from mundane reality, letting complexity fall away in favor of a clear mission.
In the past decade, these stories have dominated pop culture, from the way everything from Avengers to Game of Thrones has become inescapable—perhaps the public has grown weary of the multipolar diplomacy that has characterized the post-9/11 era. But these stories are letting us down. The relief offered by the simplicity of defeating comic book villains is no longer enough; we need to ask for more.
The night before the Civil War trailer dropped, I spent a solid half hour complaining to my long-suffering mother about the lack of a Civil War trailer. It was just unconscionable to me that it had neither been leaked nor officially released yet, and I was growing more and more nervous about what the movie would be like.
Apparently, the Marvel powers that be heard my complaints, because the very next morning I awoke to the glory of the above trailer. Continue reading