Despite being interested in the horror genre, I’ve never been a fan of zombies, especially now that they’ve been used to death in movies, games, and even clothing. When my boyfriend suggested watching iZombie, I originally said no. But he told me that the pilot episode was supposed to be really good, and I was sick of marathoning Game of Thrones, so we watched it together. Since the pilot, we’ve been keeping up with the show online. It’s become one of my favorite shows currently airing. iZombie is surprisingly progressive, in a strong but subtle way. The cast is diverse in a respectful manner, and the plot touches on racial issues in the media. The main protagonist is an independent woman, without having to prove herself. iZombie may not be the most intense show, but it’s clever, civil, and it covers modern problems in an entertaining way.
As the fall television season begins once more, I find myself mostly excited for a drama whose release date currently isn’t known. What I do know, however, is that it’s going to be tackling an important issue. The CW, known for shows like 90210, America’s Next Top Model, and fan favorite Supernatural, is currently in the process of creating an hour-long drama with the title of ZE. From what I’ve gathered so far, it’s about a young transgender teenager growing up in one of the more stereotypically closed-minded states, Texas. In the words of The Hollywood Reporter:
Written by playwright–musician Kyle Jarrow, ZE revolves around a Texas teenager who announces that [he] is transgendered and will be living life as a boy.
Problematic misgendering and insensitivity of The Hollywood Reporter aside, I have high hopes for this drama. While it may not be true that ZE is the first show to house a trans* character, it will be the first to star one. From Elementary’s Ms. Hudson to Glee’s Unique, positive portrayals of transgendered and non-binary adults and teens alike are becoming more and more prevalent in media. Hell, even choosing to name the drama ‘Ze’, a non-gendered pronoun used by some members of the trans* community, expresses the idea that the topic of transgender issues are important. From choosing executive producer Michael London—who has films like Milk and The Family Stone under his belt—and scriptwriter Kyle Jarrow, it seems clear that the CW wants to make a series that stresses the importance of the issue, remains relatable to teens in the same situation, and has the finesse of a major motion picture.