Darvasa, aka the “Door to Hell” in Turkmenistan. (image via wiki commons)
In Dante’s Divine Comedy, he tells us that above the gates of Hell is written the phrase: “Abandon all hope ye who enter here.” Hell is the final punishment for evildoers. The idea is that once you’re in Hell, there’s no hope for change or redemption, so you sink into despair. Hell is supposed to be the worst of all possible consequences. Hope, on the other hand, is supposed to be the thing that keeps you going even when times are tough. Many religious people hope for a pleasant afterlife for themselves and divine justice for all. Hope is one of the most powerful motivators, sustaining people through the worst of circumstances. But it’s precisely that kind of power that makes hope such a dangerous weapon in the hands of a villain, and why any Hell-on-Earth must include some modicum of hope.
Spoilers for The Dark Knight Rises and The Hunger Games below the jump.
So sometime between writing our The Dark Knight Rises review where we briefly talk about making Talia al Ghul a man and discovering a game on Facebook called Dragon City, I’ve been thinking a lot about gender lately. Lady Geek Girl and I used Talia as an example in our post. Someone at one point had mentioned that it was a good thing that her ethnicity and the ethnicities of two other villains had been changed to white to avoid racism. The point we tried to get at was that that wouldn’t solve racist stereotyping any more than changing Talia to a man would have solved sexism.
There have been many issues around race and comic book movies over the years. Marvel I feel has been the most notable with casting black actors in typically white roles. Alicia in Fantastic Four was black instead of the usual blonde-haired, blue-eyed character she is in the comics. Nick Fury, now played by Samuel L. Jackson is black, and perhaps the most controversial, Idris Elba played the Norse god Heimdall in Thor.