It has now just been ten years since the Eragon movie came out, which means that I can finally talk about it for my Throwback. Like its book counterparts, I’m sure no one will be surprised to hear me say that the movie is awful. Granted, I’m sure that any movie which attempted to accurately portray the first book would be pretty bad—but this movie didn’t even try for accuracy. In terms of adaptations, it’s at about The Last Airbender’s level of bad. Not only is the movie only an hour and a half long—which is not enough time to adapt a book over five hundred pages—nothing in it makes any kind of sense.
A while back, Lady Geek Girl and I got to talking about how most worlds we read about in sci-fi and fantasy are dystopias. Other than maybe Narnia, I can’t think of a single fictional world that’s utopian. And even then, when Lucy first travels through the wardrobe, Narnia is blanketed in an eternal winter and ruled by a malicious ice queen. It doesn’t surprise me that fantasy worlds are often dystopias. After all, our characters need some powerful evil force to fight against, and many of the issues our heroes come across in dystopian worlds are things we can relate to—sickness, prejudice, racism, sexism, extreme poverty, so on and so forth. Yet, despite how horrible a fictional world may seem, we as consumers still use these worlds as a form of escapism.
Sometimes when we’re following a story we come to the startling and awful realization that our protagonists are horrible characters. Maybe they’re not written very well, or given a good role in the story, or maybe they’re just terrible people. Whatever the case is, some protagonists are just unlikable. And that most certainly is not supposed to be the case as often as it is. The other day while replaying Star Ocean, I got to thinking of all the horrible protagonists out there that I am supposed to like, and I came to a not very startling conclusion: most of them are cishet, white men who are also full of entitlement. This is not the case for all unlikable protagonists—but it is the case for enough of them. And it really goes to show just how boring and generic our stories are, since there is very little variation in this character type. As such, I decided to compile a list of my Top 5 worst protagonists who I am supposed to like, but who are really just giant assholes.
It’s been four months since the last time I talked about my favorite series and my love-hate relationship with it, so I figured it was time for another post. One thing that always bothered me about The Inheritance Cycle was its use of magic. In the series, magic is an unstable force that can have various unpredictable consequences. While this is not a problematic idea, the story doesn’t use it to its full capacity. The dragons, for instance, being magical creatures, don’t have control over their own abilities. Yet the story doesn’t use that to the characters’ detriment, so much as it turns them into deus ex machinae in order to fix problems.
However, because magic is unpredictable and therefore dangerous, a long time ago a now-supposed extinct people called the Grey Folk somehow managed to bind magic to a language. Essentially, they made it impossible to use magic without knowing the Ancient Language. Unfortunately, just like the dragons, the rules governing magic in The Inheritance Cycle tend to change depending on what the narrative needs them to be.