A while back, I wrote a post on Shiva as presented in the Final Fantasy series. To make a long story short, Final Fantasy isn’t very accurate. Nevertheless, its use of Shiva still got me interested in the original mythology. The same is true for a lot of the other summons, and so I thought it would be fun to look into their source material as well. Shiva has appeared in just about every game I’ve played, but another commonly recurring summon is Ifrit, a demon-like entity with awesome fire powers. Based on Middle Eastern stories, Ifrit’s use is nowhere near as culturally appropriative as Shiva’s, if only because Ifrit is not a deity at the center of a particular faith. Its presentation is still not quite accurate, so let’s delve into the differences between its use in Final Fantasy and Middle Eastern lore.
Season 2 of Lucifer is here and I’m so excited! I love this trash show. Despite many problematic issues and some stereotyped writing, this show is remarkably entertaining and Season 2 looks set up to be better than the last one. I’m actually surprised by how much I enjoyed the latest episode and by how excited I am for the rest of the season. I was also pleased to find that certain issues with the show have been fixed and that the overall plot for Season 2 involving Lucifer’s mother actually seems like it might be really interesting.
Spoilers for first episode of Lucifer Season 2.
I was thrilled when I got the chance to read M. Jess Peacock’s Such a Dark Thing: Theology of the Vampire Narrative in Popular Culture and review this academic treatise for our blog. Just seeing the title itself filled me with nerdy joy and anticipation. This is not the first time I’ve written about vampires and religion for this blog, and I hope it won’t be my last. Such intersections of fantastical genre pop culture media and religious studies/theology perfectly fits in with some of my own dearest interests, as well as the mission of the LGG&F blog, of course. The book does exactly what it says it will, looking at the symbolic value of the vampire in pop culture through a variety of theological lenses, some of which I’d thought of before, but many of which had never crossed my mind. Without further ado, let’s sink our teeth into this review (I’m sorry, I couldn’t resist #punsarealwaysintended).
Here is a question that you’ve probably never thought about (and probably don’t want to know the answer to): What would the Catholic Church say about sex between humans and sentient non-humans? Aliens, faeries, werewolves; in much of sci-fi/fantasy/horror, humans are getting busy with some non-human being. And while that is all well and good, I always kind of wonder: if this were real, what would my church have to say about it?
Well, ladies and gentlemen, I have just finished and defended my thesis and can now proudly say that I have a Masters in Theology. My thesis discussed the idea of gender fluidity—basically, whether or not a more expansive view of gender could help to limit stereotypical views of gender in theology. That’s not what this post is about, but these ideas did get me thinking about how God is portrayed both in theology and in pop culture.
I am currently in love with the Les Miserables movie, so expect me to be talking about it a lot here. Because, at its heart, Les Miserables isn’t just about how bad things are or a bunch people dying—it’s about God and faith.
Our two male leads, Jean Valjean and Javert, are two characters at the heart of a theological debate. The debate is not simple—it’s more a conflict between two different views of morality. This is a problem a lot of Christians, and a lot of religious people in general, have, and that’s the difference between “the letter of the law” and “the spirit of the law.” This means the difference between obeying specifically what the law says or obeying the overall message.
“Thou Shall Not Steal” is one of the Ten Commandments. Should good Judeo-Christians obey the Ten Commandments? Of course we should—this is the law of God.
But wait, what if someone is poor and starving and steals bread to feed themselves and their family? Is stealing still wrong then?
Oh, my God, what an oddly appropriate example for Les Miserables.
Valjean stealing and being sent to prison characterizes everything about Javert and Valjean’s relationship. Everything about Valjean in Javert’s mind is defined by this one thing, regardless of any extenuating circumstances.
Now if we interpret this scenario from the understanding of “the spirit of the law”, things work differently. The main message or the spirit of the Bible is, at its core, to love one another. Yes, the Bible contradicts itself all over the place, but that is still the main message. Love others as God has loved you.
Once upon a time, if someone had asked me, what musical I thought was the most sexist and damaging to women I would have said, Grease. Grease, most people will agree has a terrible message, which is basically, “hey, ladies, compromise your morals and integrity in order to get this asshole guy, who doesn’t treat you right anyway, to like you and stay with you—then you’ll be happy!” But what I usually hear people say is, “Yeah, Grease has a terrible message, but at least it has good music.”
That’s a lame excuse for letting a musical get away with being horribly sexist, but I grudgingly admit that the music is good.
Now, if someone were to ask me what I think the most sexist and damaging musical is I could no longer say Grease. Grease now has the number two spot. And on top of being horribly sexist, this musical doesn’t even have the benefit of having decent music.
Ladies and Gentleman, I give you, The Devil’s Carnival!
The Devil’s Carnival is the most heinous pile of crap I have ever seen. It was written by Terrance Zdunich, who also wrote Repo! The Genetic Opera, which I actually love. I love dark gothic musicals, so I was excited to watch The Devil’s Carnival. I tried to like this musical, I really did, but on top of having terrible music, the musical claims everyone who is in hell was sent there by God, because they didn’t fit his idea of perfection, that grief is a sin, and that women who fall for bad guys and then get hurt (killed in this musical as well as implied rape) are sinning, because they trusted someone they shouldn’t. Yeah…
[Warning: Discussion of Rape, Murder, Victim-shaming, and Suicide below.]