Spider-Man: Homecoming Sticks Its Landing

I wasn’t sure what to expect going into Spider-Man: Homecoming. I did really enjoy Tom Holland’s outing as Spidey in Captain America: Civil War, but I was kind of out of the loop for the pre-movie publicity (I barely even remember the trailers) and I felt going in more like I was seeing it out of MCU obligation than genuine hype. Plus, I still had some lingering resentment from the whole “pushing back the entire MCU production schedule to slot another white dude in” thing.

Coming out of Spider-Man: Homecoming, however, I had a big ol’ grin on my face. This movie was fantastically well-crafted and cast, and was loads of fun while also telling a heartfelt and complex story at its core.

Major plot spoilers after the cut! Please don’t read if you are planning to see it; it’s really worth going in unspoiled!

(via cosmicbooknews)

Sexualized Saturdays: Martyred Moms and Dastardly Dads in the MCU

My friend and I came out of Guardians of the Galaxy Vol. 2 convinced that the Infinity Wars movies, and the big Avengers/Guardians crossover therein, were mostly going to consist of Tony Stark and Peter Quill trying to out-Daddy-Issue each other. As well as both having facial hair and a penchant for roguish one-liners, the two heroes have a few things in common, most notably their parental situation: like Tony, Peter Quill has a complicated and at times antagonistic relationship with his father that forms the emotional core of a whole movie, and a sense of wistful mourning for his mother, who was sweet, kind, and only shows up in a few scenes. She’s also dead due to circumstances that were in no way her fault, so they can bond over that as well. At this point, maybe Thor can chime in too, perhaps initiating a group hug, since he also has a complicated relationship with his main-character dad and grieves over his good and nurturing dead mum. Jeez, is Infinity Wars just going to be one big session of father-related angst and mother-related mourning?

Fridge a kind mother and elevate a father to main character status once, Marvel, and that’s shame on you. Fridge a kind mother and elevate a father twice, still shame on you. Do this three times for three different superheroes and it’s officially a pattern. What exactly is going on here, and why does it annoy me so much?

Complicated Father-Son Dynamic: Space Edition (Via Comic Book Movie)

Sexualized Saturdays: Letting Boys Cry

(via The Daily Dot)

One of the first things Yuri Katsuki does onscreen is cry. His establishing character moment is him weeping uncontrollably in a bathroom, the picture of vulnerability and hopelessness, after doing badly at the Grand Prix. And he doesn’t stop crying, either—his tears, and his anxiety, return time and again over the series, and while he eventually learns to handle this anxiety as his confidence is nurtured, the narrative never really presents this emotion and his expression of it as a bad thing or a weakness. Yuri is a highly expressive, emotional young man, and the show he’s in lets him be that. And that’s quite a rare thing to see in fiction, let alone from the protagonist of a sports anime—surely one of the most manly genres out there, given that they’re all about feats of physical prowess!

It seems paradoxical to have the protagonist of something in the action genre—be it sports or superheroes—cry, because crying is, well, such a non-masculine and non-heroic trait. Journalist Ben Blatt recently released the findings of a study on word use in books, which found that, among other things, women were commonly described as “sobbing” but men almost never were, especially when the novel in question was written by a man. The study suggests that “Male authors seem, consciously or not, to hold that if ‘real men don’t cry,’ then ‘fictional men don’t sob’.”

And yet there’s Yuri, sobbing—and not the only man to do so in that show either. Granted, a lot of Yuri!!! on Ice plays with and strays from what we would consider “manly” (dancing, themes of love, throwing away strict conventions of gender presentation with Viktor’s long hair and flower crowns, etc.), but this departure from gendered expectations is still worth noting. Usually, the perception is that boys don’t cry. Crying is a sissy thing to do, an unmanly thing to do, a girly thing to do, and society says the accepted and desirable alternative is to bottle up your feelings or project them outwards onto other people. This is one of the neatest examples of toxic masculinity you can find: being emotional is somehow feminine, and, of course, that that makes it bad.

Content warning for discussion of suicide after the jump.

Can We Have Some Actual Male Friendships?

Representation is weird, readers. Since some people that enjoy a level of privilege also contend with marginalization, it’s difficult to say where we need to get better in our media. Despite men enjoying incredible amounts of privilege, we still have the task of dismantling toxic masculinity. While we are slowly but surely destroying the “no homo, bro” narrative of friendship, I would like to see more well formed male friendships in media that actually explore friendship and aren’t just used as passive plot traits.

Stark Justice III: Iron Man is a Stark, Too!

By glockgal.tumblr.com

So, I have to tell you how happy I am to be able to keep this series going by jumping from Ned and Catelyn to Iron Man himself, Tony Stark. That happy little coincidence would justify this post on its own, but worry not friends, I have actual points as well!

We’ve covered Captain America: Civil War a bit so far, but we’ve been light on the endorsements. And I certainly can’t speak for the entire LGG group here, but while I admit that there is no way I could ever say no to Steve Rogers if he asked for my help, when you give me a moment or two to think it through, I’m with Tony.

Law and Justice in the Time of Civil War

Captain America: Civil War is the 13^th movie in the Marvel Cinematic Universe, which has also tacked on an additional nine seasons of television, between four series, with more on the way. If nothing else, it’s an incredible feat to keep producing quality stories, and Civil War may even top everything that came before it.

The movie has considerable moral and philosophical heft, which it accomplishes by asking difficult questions about right and wrong.  What makes it unique, especially in the current media landscape, is that it achieves this without turning its protagonists into antiheroes. We’re not asked to accept a series of atrocities in service of the greater good, or weigh the need to tamp down our emotional attachments to do what needs to be done. Simultaneously, we’re not asked to see goodness as simple and self-evident.

Instead, we get a smart, nuanced contest of ideas between Steve Rogers and Tony Stark, with a conclusion that’s ultimately ambiguous. Despite the high stakes and increasing violence between their factions, the audience is never asked to see either superhero as corrupt or shortsighted or evil. Neither is brainwashed or deceived or misunderstood. The audience sees both as they see themselves, and as they see each other: as good men who have reached incompatible conclusions about how to do the right thing, who are heartbroken by their conflict.

Spoilers for Captain America: Civil War after the jump!

I Can Do This All Day: A Captain America: Civil War Review

I feel like I’ve been waiting for Captain America: Civil War to come out for most of my adult life, even though it’s only been two years since Winter Soldier. Needless to say, it barely felt real going into the theater on Thursday night. I had no idea what to expect, no idea how high I should allow my hopes for the writing to be, and no idea whether I’d leave the movie emotionally devastated. (Okay, that’s a lie—I knew it was a question of how emotionally devastated I’d be, not whether it would happen at all.) And with the bad taste of Age of Ultron still in my mouth, I was generally worried for the state of the franchise.

I am happy to report that Captain America: Civil War was almost exactly the big-screen, action/adventure, Stucky-focused hurt/comfort fic I was desperately hoping to see. Spoilers after the jump!

Trailer Tuesdays: Captain America: Civil War

The night before the Civil War trailer dropped, I spent a solid half hour complaining to my long-suffering mother about the lack of a Civil War trailer. It was just unconscionable to me that it had neither been leaked nor officially released yet, and I was growing more and more nervous about what the movie would be like.

My opinion about what the conflict of Civil War should be in a nutshell. (x)

Apparently, the Marvel powers that be heard my complaints, because the very next morning I awoke to the glory of the above trailer.

Fanfiction Fridays: Ambivalence by Ashley Rabbit

Ambivalence was not the fic that I originally intended to recommend. However, in a recent conversation with Lady Geek Girl, the two of us complained a lot about the abuse-apologist rhetoric that seems to follow Loki’s character around on the internet. As much as I love Loki’s character and do feel for him, it’s always bothered me how many fanfic authors tend to write off and excuse his murderous actions due to his own internal turmoil. And no, that’s not all the Loki-redemption fics out there, but it is enough of them.

I really do love the Loki-redemption stories, but I dislike how many of them tend to minimalize the atrocities he committed in order to redeem him. Thankfully, Ambivalence does not follow that trend.

Tony had built his suit to protect himself and others. He should not have been caught again. He also shouldn’t have to depend on a certain green eyed individual, who happens to be his cellmate, for survival. Tony and Loki whump. No Slash. Rating for scenes of torture.
—summary of Ambivalence

When I first settled down to read this, I really did think that it was going to be a typical “Loki gets hurt badly so the Avengers save him and accept him as one of their own—New York Destruction? Who Cares?” fanfiction. I can say with all certainty that I am happy to have been wrong.

I Want More Terrible Female Characters

Double standards are everywhere in geek cultures. Most of them are easy to spot in such things as clothing and armor options for genders. Such standards extend into character archetypes as well. A very well known trope that is often reserved specifically for women is the Damsel in Distress trope. We’re all familiar with this, but one character archetype that seems to skip women is the Jerk With A Heart of Gold.