On this, the day of the Great Pumpkin’s return, I would be remiss if I didn’t take the opportunity to showcase a trailer in the horror vein. As with most horror movies, I, myself, probably won’t end up seeing this—against my better judgement, my viewing of a horror film is usually directly correlated to how grave its potential for badness is—yet there are some things within this film’s trailer that intrigue me. Maybe even enough to watch it.
I’m not very well versed in the world of yuri anime and manga; due in no small part to the fact that yaoi is simply more popular and often overshadows yuri works. Though, if I’m being honest, I never really made a major effort to widen that specific horizon. I think one part of me wants to believe that yuri somehow manages to avoid the annoying, and sometimes disgusting and damaging tropes that yaoi tends to fall into while the other part of me knows that can’t possibly be the case. Then I saw the trailer for an anime adaptation of Saburouta’s 2012 yuri manga Citrus on Twitter—I couldn’t ignore its bright colors. While fans of the series share an excitement for the animation of the manga they enjoyed so much, I couldn’t exactly share in the sentiment.
Who loves Cartoon Saloon? This lady does! Though some parts of Song of the Sea left me a bit underwhelmed, Cartoon Saloon’s aesthetic stylings and my lingering, overflowing love for The Secret of Kells have ensured my continued excitement over their works. Despite The Breadwinner taking a far less fantastical approach to exploring the world, its trailer has me intrigued as to how this adaptation will fare given its more serious nature.
Comic-Con isn’t really my scene, but this year a trailer dropped and with it, so too did my pre-emptive ten bucks for a theater ticket. Amidst the other announcements, none more enchanted me than beloved director Guillermo del Toro’s fusion between fairy tale and horror story, The Shape of Water. Just…. just look at it.
Near the end of Pride Month, it’s more than a little easy to feel down about returning to the rest of the year where the world around you is a little less, well, proud. (Although given the shittinessofthe police and of otherwhite queer folk this year, it’s definitely been business as usual for many.) And unlike with most other events, it may be difficult during this period to find a game that brings the lightheartedness and fun that’s needed when trying to decompress. Sure, there are games where you canbequeer, but many of these games are also filled with dramatic events that aren’t exactly made to let you have a chill time. Strangely enough, the Game Grumps (a team of YouTube Let’s Players), of all people, are trying to fill this void with a cute-looking gay dad dating sim aptly titled Dream Daddy.
Despite this year being packed full of great games already (just look at games like NieR: Automata and Breath of the Wild!), the Spring/Summer season never fails to hype even more games coming in. No doubt E3 has an impact on this, but even before games are shown there, companies are making announcements and releasing information on their upcoming projects. Being the maverick that they are, Nintendo has already teased many of their big upcoming projects. The title that caught my attention the most was the follow up to 2015’s Splatoon, a game I had an immense fondness for.
Given that the world is already full of enough horror at the moment, I decided to forgo the bizarre thriller flick I found and talk about an upcoming animated feature instead. Most of us have a pretty good grasp on at least one or two Greek myths—even if you didn’t have a unit about them in school, they’re somewhat inescapable in popular media. With re-imaginings like Percy Jackson maintaining a modicum of popularity, it’s no surprise that studios continue digging down into the mythology wellspring. Today I present a new take of the story of Icarus that has as much potential to be enthralling and thought-provoking as it does to be boring and even offensive.
This isn’t typically what I do for Trailer Tuesdays, or at least I usually don’t go out looking for a terrible trailer to trash. However, the moment I saw the trailer for Wish Upon playing silently on my Facebook wall, I knew the film would be bad. Out of some morbid curiosity, I decided to find out just how bad this film was willing to be in the name of hopping on the generic gritty fairy tale trend, and hoo boy, does this film look bad in the terrible, boring ways we’ve all become accustomed to.
During the middle of last week, Disney finally released their U.S. trailer for their own theatrical jaunt into the Day of the Dead mythos, Coco. I, for my part, completely forgot this movie was even going to be a thing, and still kind of wish that it wasn’t. The bad blood Disney created during the film’s production still lingers, and with a seemingly superior film, The Book of Life, having already been released, many still question why we even need Disney’s spin on Mexican culture. Does Coco seem worth giving the time of day? For the time being, I’m going to give it a somewhat wary “yes”.
As far as fairy tales and legends go, the Arthurian legends aren’t what I’d call my favorite. Knights are great, sure, and the magic is really cool, but as a whole the legends never really grabbed me. (Maybe it’s because it felt like I couldn’t go a year in school without a unit on something medieval.) So then, what drew me to this trailer in particular? I don’t know: maybe I have a bit of Stockholm with these tales? …No, the reason is actually very simple. Despite all the distaste I’ve cultivated for Game of Thrones, I love Michael McElhatton (who plays Roose Bolton), so the moment he showed up in the trailer I knew that my chances of seeing this movie at some point had just risen by an almost unfathomable amount. In the end, though, this isn’t enough to keep King Arthur: Legend of the Sword from looking like if someone crossed A Knight’s Tale with a kegstand.