“There You Go” with Dino Andrade: Part 3

First parts of the interview here and here.

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MadameAce: Now the Scarecrow, he’s a Batman villain that has been re-imagined a lot, over and over again. How did you envision him when you first started playing him? I know you talked about the demon in the human body and whatnot, but I’ve just seen so many different versions of him.

Dino Andrade: Being a long-time Batman fan, the first thing that I did was look back at the first, the original Arkham Asylum graphic novel which then I got the script and discovered that the two had absolutely nothing to do with each other. After that, I started looking at darker versions of the Scarecrow. One of my favorite versions of the Scarecrow, although he’s not in it for very long, is in the series Batman: Vampire where Scarecrow has human fingers sewn into his costume and stuff like that. He’s this terrifying character and I really liked that interpretation.

That was kind of my jump off point from there because I knew that Arkham Asylum was going to be much grittier than anything that had been seen or done before on video games or comics and so on because, of course, Chris Nolan’s Batman, which took a grittier tone, was so successful. I believe that was part of the mandate for Arkham Asylum: to go for darker territory than Paul Dini and company were allowed to do in previous television incarnations. That’s why I purposely studied Batman: Vampire which is probably the darkest Batman story there is.

“There You Go” with Dino Andrade: Part 2

Read the first part of the interview here.

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MadameAce: I know you said that you experienced some disappointment when you did that role, but in the early days what were your thoughts on doing voice overs?

Dino Andrade: At the time most of what I wanted to do in voice over was basically to [have it] work as a stepping stone. I really wanted to get into doing on-camera. I started doing a lot of commercials at the time. I was doing commercials for McDonalds, Delta Airlines, various things like that kind of working my way up. I was also doing a lot of training with The Groundlings comedy / improv. I’m a very physical actor, physical comedian. This was something that I felt might be the future for me, but it was very disappointing: unfortunately it seemed that 90% of what I was being sent out for was one Mexican, cholo gangster after another. It is so not me! That was very discouraging and I decided that, “you know what, if I’m going to get into these projects I might as well make them myself.” So I decided to leave acting for about ten years and spent the 90’s being involved in independent filmmaking, writing screenplays—I sold six screenplays, none of which were produced. [laughter]

Stewi: You still got paid

Dino Andrade: I still got paid. I think it was Kurt Vonnegut who said that the best thing that could ever happen is to sell a screenplay and have it never get actually made so your work isn’t screwed up. [laughter] So my work has not been screwed up six times, but it was kind of cool that I sold them. I also produced one independent film called Bob’s Video that ran the film festival circuit for a year and got me to travel around the country which was really fun. In the end, in the 00’s, I decided to go back to acting and to my original love, which was animation and fantasy, which then meant voice over. Even that was somewhat accidental.

There was a director who was working on an anime show called Vampire Princess and I was being told about that. And I thought, “well maybe I can get in on that as a writer. I’ve never done anime writing, but maybe I could give that a shot.” It turned out that he was also working on another show called Saint Tail and his wife was casting it and when I was contacting him I wound up contacting his wife and his wife thought I was an actor calling in for a scheduled  telephone audition. I said, “…sure! Yes, that’s me,” and so I wound up auditioning completely cold, had no copy at all, so I just had to make up something about, “oh yeah, I didn’t get it. The courier didn’t make it. The fax machine died,” or something. I don’t remember. So they fed me the lines and I auditioned and they said great and I got a small part on Saint Tail. I took that as a sign and said, “okay! I guess this is what I’m supposed to be doing.” I returned to voice over at that point.