For this installment of Throwback Thursdays, I decided to revisit Indiana Jones and the Raiders of the Lost Ark (1981)—the first installment in the Indiana Jones trilogy—since I didn’t realize how long rewatching the whole trilogy would take. The movie trilogy and the character of Indiana Joneswere some of my formative influences as a child. I dreamed of unlocking the world’s mysteries and these movies showed an academic leading a glamorous life of adventure, hunting mysterious artifacts and overcoming difficulties using his knowledge and reasoning powers. However, watching Raiders of the Lost Ark as an adult rather requires that I turn my brain off if I want to actually enjoy it because of the number of glaring issues regarding racial and cultural representation, as well as gendered character tropes.
The final Defender in Marvel’s Netflix series, Danny Rand, premiered in his own series, Iron Fist, in March of this year. Danny is a martial artist who has the Iron Fist, or the ability to turn his fist glowy yellow and use it to punch through walls. Together with his new friend/love interest Colleen Wing and series fan favorites like Claire Temple, he takes on Madame Gao and the Hand. The Hand were the villains of Daredevil, the sole Marvel Netflix property that I did not finish because the grimdark racism of it was not my cup of tea. But Iron Fist promised to be at least tangentially about Asian culture and was sure to feature at least one Asian character in Colleen, so I decided to watch it anyway.
Iron Fist was an incredibly slow slog in which I wasted thirteen hours of my life on cultural appropriation, Asian erasure, manpain, and drugs, and I would not recommend it. But if you want a longer opinion, below are the five main reasons Iron Fist was not great. Spoilers for the entire series follow.
Good. God. I don’t know where to start with this. As soon as I heard about this I rushed to trade posts with Lady Geek Girl so that I could write about it. However, upon sitting down to do so, I realized that to write about it, I’d have to—ugh—actually watch the trailer.
If you know anything about me or this website, you can stand assured that I did not enjoy a second of it. This movie looks like it will be a disaster on every possible level, and on top of that, releasing it in the week after Iron Fist crashed and burned in no small part due to whitewashing complaints feels almost comically idiotic.
When I first heard that a movie called The Mummy was coming out, I was appalled. Although I’m usually optimistic regarding potential remakes and reboots, a line must be drawn somewhere. Ready to loft my pitchfork, light my torch, and blast “The Mob Song” from Beauty and the Beast at the idea that anyone could remake the iconic 1999 Brendan Fraser and Rachel Weisz film, I sat down to watch the trailer. Two minutes and change later, I found myself confused rather than angry.
After being somewhat let down by my re-watch of Scooby-Doo and the Alien Invaders, I was kind of loath to put my nostalgic favorite Scooby movie under a critical microscope. Thankfully, I discovered upon rewatching that it was still pretty enjoyable.
Spoilers for a movie that’s old enough to vote after the jump.
This is the trailer that got me to jump right into the Assassin’s Creed fandom, and I am so excited to go see it. That said, as much as I want this movie to be amazing, a really big part of me worries that it won’t be. The movie is supposed to premiere in December, right around the time Rogue One comes out—with that kind of competition, I can’t say I have too much hope the movie will do well. Mostly, however, while the Assassin’s Creed movie looks awesome, game-to-movie adaptations are rarely good, and I’m concerned the same will be true this time around as well.
I hadn’t seen the trailer for this movie before writing this post. I didn’t want to give it the views, as it seemed like just another nonsense example of oblivious Hollywood whitewashing. After doing some research into the movie, the situation is slightly more complex than usual, but… it doesn’t make Hollywood any less racist. Let’s dig in.