I’ll be honest, I’m kind of tired of gay coming out arcs on TV by now. The angst, the panic, and the not knowing how their family and friends will react to the gay character aren’t really appealing to me anymore (I’ve had enough of that in my own life). I want to see LGBTQ+ characters living their lives, working, dating, asserting their identities, and standing up to bigotry. However, coming out remains an experience most of us, LGBTQ+ folks, share. And even though representation on mainstream media is disappointing more often than not, it seems that once in a while it’s still possible to be pleasantly surprised and moved to tears by a character figuring out their sexuality on a superhero show, of all places. I am talking, as you can tell by the title, about Alex Danvers—one of the main characters on Supergirl—and her character arc in the first half of the second season.
Over the past few months, I’ve gotten really into Dungeons & Dragons, a role-playing and story-telling game that relies on improvisation and dice. A game of D&D is led by a Dungeon Master who provides a fantasy world for the players to interact with, and together, they build a story. I discovered D&D through Critical Role, which is a weekly livestream showing a group of people playing the game. It’s quite unlike any other media content I consume, as it doesn’t have a team of writers and is largely improvised. Moreover, it started as a private home game, so it wasn’t even initially created with an audience in mind (although the players did make the decision to continue their game instead of starting a new one for the broadcast).
However, since it started streaming two years ago, it has become quite a phenomenon, inspiring people to play D&D and to create. I wrote about the show several weeks ago while I was still frantically trying to catch up and as such didn’t really stop to think much about anything. I was very excited, for instance, about the mere fact that the show includes LGBTQ+ representation. Since then, I’ve finished catching up and had time to reflect on and look at this representation a little more critically. While Critical Role does have characters of differing gender identities and sexualities who are portrayed with care and respect, some of the actions of the players show a lack of consideration towards the LGBTQ+ characters and the people they represent.
I must say that, after reading Neil Gaiman’s American Gods, I found that I didn’t totally love it. It didn’t leave me as bursting with excitement about the upcoming TV adaptation as I had hoped. However, I decided to check out the trailer anyway, and it actually got me pretty pumped for the show!
I’m not generally a fan of horror, and while Neil Gaiman perhaps isn’t specifically writing horror, his fantastical worlds are often quite scary. However, I love literary explorations of mythology, faith, life, and death, and most of his writing, from The Sandman to The Graveyard Book, deals with these themes in one way or another. As such, I’ve been meaning to read American Gods for a rather long time. With the TV adaptation of this book fast approaching, I finally picked it up. Gaiman succeeds, as always, at setting the perfect atmosphere and at creating mysterious characters. However, although I love the exploration of mythological and religious themes, there are also a couple of things that prevented me from completely falling in love with this book. I will delve into all of it below.
Spoilers for American Gods (the author’s preferred text version) to follow.
A few years ago I went through an old movie phase where I watched a bunch of classic movieslike Casablanca, Some Like It Hot, and so on. I enjoyed some more than others, but I did not expect to find a movie that would became one of my all-time favorites and one of my go-to choices for when I need a comfort movie to watch. And so today, I want to throw way back to 1952 and talk about Singin’ in the Rain, a hilarious musical whose portrayal of Hollywood and the movie business holds up even today.
This is it, folks; this is the last Web Crush I will ever write, because I have found the best thing on the internet and possibly the world, and I shall never care about anything else ever again.
… Okay, okay, I’m joking. Just a little bit.
In all seriousness, though, this week I want to share my love for Critical Role, a weekly internet broadcast from Geek & Sundry, which basically shows how a bunch of nerdy voice actors play Dungeons & Dragons. The series features some of the most compelling storytelling and some of the best acting I have ever seen, as well as some excellent queer characters. It’s really difficult to speak about this show—this phenomenon, really—without descending into an incoherent blubbering mess whose feelings boil down to “OMG OMG it’s amazing!”, but I shall try.
It’s not often that a childhood favorite movie or book holds up to the test of time and remains as enjoyable when you’re twenty-eight as when you were eight. For today’s throwback, I want to talk about a movie which I loved as a child for several reasons and which I also love as an adult, although some of the reasons are different now. The movie is Matilda, based on the book of the same name by Roald Dahl. As a little girl, I loved Matilda and her superpowers, and now I love Miss Honey and the themes of found family based on mutual love and support.