The other week I had pure freedom to loaf around, so I firmly planted myself on the couch and hit the Netflix hard. Luckily for me, Into the Badlands, a show that had caught my eye before, was finally available. I’d only seen trailers online before for this post-apocalyptic show (brought to us by AMC, continuing their move from movies to original programming like Breaking Bad and The Walking Dead). About two minutes in, I was hooked. I honestly can’t remember the last time I was quite this excited and engrossed by a new show, which is saying a lot. How is it awesome? In every way possible. Let’s take a look!
I very recently started watching Star vs The Forces of Evil (no spoilers, please!) and was amused by an episode where Star needs to undo a spell she’s cast on Marco. She pulls out the wand’s manual, an ancient, crumbling tome filled with the wisdom of ages of wand users to consult, only to realize that all of their notes are so cryptic and poorly organized that it will take her ages to make any sense of them. This got me thinking about magical journals in general. A common staple of fantasy fiction is a magical guide to the world in question, typically in the form of some kind of handwritten diary or log. Sometimes a book is just a book; I can’t imagine, for example, that Newt’s finished version of Fantastic Beasts and Where To Find Them will be anything but a basic bestiary. That’s not necessarily a bad thing. However, these books are often most compelling when they serve a greater purpose than simply as a how-to or a reference of some kind. By including these books in a layered way, we can add additional complexity to the stories we tell.
In the absence of regular Steven Universe episodes, I decided to venture into the wide, wide world of its fanworks to fill the gem-shaped emptiness inside me. However, while I do love and support the canonical pairings in the show, I’m not super married to actively shipping anyone, and so I decided to see what I could find in the more gen fic space instead.
I was delighted to stumble upon this particular fic, which examines the sometimes contentious but ultimately loving relationship between Connie and her mother.
Hello there, good readers! I am back to the blog after a whole year hiatus; much has happened in my life, but in summary the two most important forces to have influenced my new life are Prozac and Protestantism (I’ve always had a thing for alliteration, I guess). I’m jumping right back in with a good ol’ OMPCR. One of the most hotly debated topics in Protestant Christianity (indeed, all Christianity) is the idea of predestination—in particular in relation to “chosen-ness”. The two biggest names in the Protestant Reformation in fact came to their own interpretations of predestination via studying the teachings of St. Augustine of Hippo, revered by Catholics as one of the greatest teachers of the faith: however, as usual, Luther and Calvin could not reach a common consensus (Luther went for single predestination, whereas Calvin advocated for double predestination). As Western Christianity celebrates Palm Sunday, or Passion Sunday, today, I thought it a great time to look at the idea of a Chosen One embracing their destiny—today the Western churches proclaim Jesus entering into Jerusalem to begin the culmination of his destiny as Messiah through the trials of Holy Week leading to the resurrection of Easter. Let’s look at some other Chosen Folk and see how they are both chosen and choosing.
With the recent news that Joss Whedon is in the works to do a (potentially amazing, if arguably problematic) Batgirl movie, I’ve been thinking about Barbara Gordon a lot. I mean, more than usual. BG’s always been a personal favorite and perhaps the first example I remember from my childhood of not only a real “strong female character” but a superhero I actually connected with. Babs has been a hero to many and while she has been used in incredibly problematic ways over the years, she remains one of the most prominent female superheroes to the average geek.
As different artists have taken a crack at Batgirl over the years, she has gone through a few phases, as have most of the other major players in the Batman canon. Many of those different versions of BG have been used in exploitative ways. Despite this, many have made her a feminist icon and often a source of inspiration to fans of all genders. In looking back at some of these incarnations, I also hope to highlight a few things that will be crucial to the Batgirl film not ending up horrible.
TW: Discussion of themes related to sexual violence and ableism.
I’ll be honest, I’m kind of tired of gay coming out arcs on TV by now. The angst, the panic, and the not knowing how their family and friends will react to the gay character aren’t really appealing to me anymore (I’ve had enough of that in my own life). I want to see LGBTQ+ characters living their lives, working, dating, asserting their identities, and standing up to bigotry. However, coming out remains an experience most of us, LGBTQ+ folks, share. And even though representation on mainstream media is disappointing more often than not, it seems that once in a while it’s still possible to be pleasantly surprised and moved to tears by a character figuring out their sexuality on a superhero show, of all places. I am talking, as you can tell by the title, about Alex Danvers—one of the main characters on Supergirl—and her character arc in the first half of the second season.
Spoilers for the Supergirl TV show below.
I must say that, after reading Neil Gaiman’s American Gods, I found that I didn’t totally love it. It didn’t leave me as bursting with excitement about the upcoming TV adaptation as I had hoped. However, I decided to check out the trailer anyway, and it actually got me pretty pumped for the show!