On this, the day of the Great Pumpkin’s return, I would be remiss if I didn’t take the opportunity to showcase a trailer in the horror vein. As with most horror movies, I, myself, probably won’t end up seeing this—against my better judgement, my viewing of a horror film is usually directly correlated to how grave its potential for badness is—yet there are some things within this film’s trailer that intrigue me. Maybe even enough to watch it.
There are a lot of great movies coming out in the next few months. There’s Star Wars: The Last Jedi, obviously, and Black Panther looks amazing, and then… there’s this one. Ferdinand, by Blue Sky Studios, is going to be coming out on the same day as The Last Jedi, and, just between you and me, I don’t think it’s going to do so well.
The final trailer for The Last Jedi dropped just a few days ago, leaving all of us with some mixed feelings. For me, this is Carrie Fisher’s last movie, and part of me doesn’t want to believe that she’s really gone. The possibility of seeing her die on screen also gives me pause. Nevertheless, I’d go see this movie just for her, even if I wasn’t a giant Star Wars nerd. Carrie Fisher, the world did not deserve you. Rest in peace.
I’m not very well versed in the world of yuri anime and manga; due in no small part to the fact that yaoi is simply more popular and often overshadows yuri works. Though, if I’m being honest, I never really made a major effort to widen that specific horizon. I think one part of me wants to believe that yuri somehow manages to avoid the annoying, and sometimes disgusting and damaging tropes that yaoi tends to fall into while the other part of me knows that can’t possibly be the case. Then I saw the trailer for an anime adaptation of Saburouta’s 2012 yuri manga Citrus on Twitter—I couldn’t ignore its bright colors. While fans of the series share an excitement for the animation of the manga they enjoyed so much, I couldn’t exactly share in the sentiment.
For the past few years, Netflix has been on a roll with the original content. Though at first Netflix was only known as a DVD rental site and then a TV streaming site, its forays into original content are now probably what it’s most known for. Shows like Voltron:Legendary Defender, Sense8, and the various Marvel Defendersserieshave all garnered (mostly) high praise, and with them to jump off of, it’s no surprise that Netflix quickly went from original TV shows to original movies as well. At the end of this year, Netflix is releasing Bright, a fantasy cop drama with A-list actors that looks to be Netflix’s bid at its next famous property. The trailer looks good, but I’m afraid it may raise more questions than it answers.
Who loves Cartoon Saloon? This lady does! Though some parts of Song of the Sea left me a bit underwhelmed, Cartoon Saloon’s aesthetic stylings and my lingering, overflowing love for The Secret of Kells have ensured my continued excitement over their works. Despite The Breadwinner taking a far less fantastical approach to exploring the world, its trailer has me intrigued as to how this adaptation will fare given its more serious nature.
Comic-Con isn’t really my scene, but this year a trailer dropped and with it, so too did my pre-emptive ten bucks for a theater ticket. Amidst the other announcements, none more enchanted me than beloved director Guillermo del Toro’s fusion between fairy tale and horror story, The Shape of Water. Just…. just look at it.
A Wrinkle in Time was one of my absolute favorite books as a child. It was one of the earliest books I can remember reading, and I devoured all the books in the series before I ever knew that such a thing as “fanfiction” existed. (Nine-year-old me wrote some stories about protagonist Meg Murry’s brothers, the twins Sandy and Dennys Murry—good thing I’ve since lost them!) After I got busy with college and post-college life, though, I mostly forgot about these books, which is why it was such a delight when the trailer for the new adaptation of A Wrinkle in Time burst onto the scene this weekend.
I’ve been hearing whispers about a new Life is Strange project for a while, though I couldn’t figure out how the developers would do it. A sequel was out of the question since the ending of the game is set up deliberately to take the story in two completely different directions, so making a direct Life is Strange 2 would surely be impossible unless they wanted to make two completely different games. Lo and behold, it turns out the new Life is Strange game is a prequel, focusing not on Max and her time powers but on Chloe a few years before the events of the original story. This is, all things considered, the sensible choice, though I’m intrigued and cautiously optimistic about how it will turn out.