Though both Studio Ghibli and Hayao Miyazaki seem to be in this bizarre limbo of being in and out of the animation circuit, it seems that fans of the studio’s style and themes will have somewhere else to look to once their final animation cel is crafted and Ghibli’s doors close for good–Studio Ponoc. For their first feature-length film, Studio Ponoc is giving us Ghibli-esque goodness featuring an adorable protagonist and, of course, magic.
Welcome back to the blog, everyone! I hope everyone had a great time over the holiday break, whether with family, friends, or just chilling by yourself. Before we went on vacation, the trailers for Netflix’s A Series of Unfortunate Events came out, but it wasn’t until the break that I actually got some time to sit down and watch them. Now that I have, I’m pretty excited about the series—to an extent.
Given how bad video game movies usually are, I feel like I should be much more hesitant to see this adaptation. But it looks good so far, and I’m holding out hope that it will also be good.
When I first heard that a movie called The Mummy was coming out, I was appalled. Although I’m usually optimistic regarding potential remakes and reboots, a line must be drawn somewhere. Ready to loft my pitchfork, light my torch, and blast “The Mob Song” from Beauty and the Beast at the idea that anyone could remake the iconic 1999 Brendan Fraser and Rachel Weisz film, I sat down to watch the trailer. Two minutes and change later, I found myself confused rather than angry.
Why are people calling this a remake?
I first heard about animation director Kenji Kamiyama when I heard about 009 Re:Cyborg. Growing up, one of my favorite anime series was the 2001 adaptation of the original Cyborg 009 manga (penned by Shotaro Ishinomori), so seeing that the series would have new life blown into it made me incredibly excited. Unfortunately, in the swirling torrents of being an adult and having a million things to do, I still haven’t gotten around to watching Kamiyama’s film vision of the series I enjoyed so much. Despite this, though, news of Kamiyama’s upcoming film still has me anticipating some slice-of-life goodness mixed in with some sci-fi on the side, right alongside some beautiful animation from studio Signal.MD.
Hey, look at that: they’re making another King Kong movie. At first I thought that Kong: Skull Island was a sequel to the 2005 King Kong, but the two movies apparently have nothing to do with each other. Instead, Skull Island takes place in the same world as the 2014 Godzilla movie, but back during the 70s, as part of a rebooted Godzilla vs King Kong franchise.
November continues to be a difficult month, so of course it makes sense that suddenly the only thing I’m seeing online is warnings about the apocalypse. The one silver lining of all this is that I was recommended a post-apocalyptic Canadian film, written and directed by a young Métis filmmaker by the name of Benjamin Ross Hayden and starring a mostly aboriginal cast from Canada. Intrigued by this premise, I checked out the trailer, and now I’m here to share it with you.