I’m a fan of story games. Deep RPGs with a lot of character development or walking simulators with well done environmental storytelling tend to be the ones I look out for. I also, however, have a huge weakness for good sim/strategy games; particularly space-related ones like Galactic Civilizations. But even games like the Civilization franchise (ok, mainly Civ V)often keep me going well after bedtime. I also generally want games with good representation (which unfortunately often just means some representation). Rimworld, though still in early access, hits most of these notes and has proven a pleasant surprise thus far.
The town mothers have a sweet pad. Though I’m not sure who decided the Muffalo could sleep inside. (Screenshot from Rimworld.)
As a colony sim that plays with the amount of control you have over AI-generated stories that develop between colonists, the potential for complex and diverse scenarios to emerge is similar to that of a game like The Sims and one that provides some interesting opportunity for social commentary, tackling serious issues but not taking itself too seriously in the process.
To give you an idea what exactly I mean, I’ll tell two of those stories: one about a quasi-utopian space-weed dealing colony run by lesbian matriarchs, and one that got burned down by a stressed out pyromaniac and devolved to cannibalism.
TW: Discussion of (non-graphic) extreme violence, drug use, and ableist/sexuality/gender stereotypes after the jump.
A pervasive problem within the dating sim genre is representation. If you’re looking for a dating sim that stars attractive, thin, white or East Asian people, you’re pretty much set, but if you’re looking for anything else, you may have to look a bit harder. Recently, with games like Hustle Cat and Women of Xal, it seems like the indie dating sim scene is stepping up its game with adding more and more representation to the genre. Today’s web crush is a project that finally gives the limelight to one group of people who have been denied romantic representation in these games for too long: fat girls.
Rin:Maybe it’s something that comes with age, but going into E3 no longer has the hype it used to. In the years before, there was at least one game I was interested in hearing about. This year, though, I came in at a hard neutral: what I knew was going to be shown I wasn’t interested in, and I had no hope about the things I didn’t know about. Yet, maybe it was this neutral stance that led to me being pleasantly surprised in some cases, and saved me the disappointment in others.
As industry veterans struggled to remember what they should even do on the E3 stages, the year’s themes of inclusion and the importance of the gamer community were surprisingly not entirely off-base. I’d even hazard to say that companies may even be starting to care about diversity, likely in no small part due to the success of other diverse titles like Overwatch. And overall, the presence of non-male, non-white people on stage and in the games shown was much higher than I was anticipating. There’s a lot to cover, so thankfully this year I’m joined once again by BrothaDom. You ready to jump in?
Dom: Yep! I was feeling a little bored and jaded going into the conference, but it definitely had some pleasant surprises sprinkled in. Let’s do this.
You first meet the protagonist of Night in the Woods, twenty-year-old Mae Borowski, when she arrives at her hometown’s bus station after dropping out of college. She remarks that the bus station is probably the newest and fanciest building in the town of Possum Springs, all the better to give people coming through the best first impression possible. However, we soon see that the bus station, with its shiny floors and glorious sunny mural advertising prosperous life in Possum Springs, is just a façade, and as soon as Mae arrives in the town proper, we see that it’s crumbling inside and out.
As Mae explores her childhood home, the game’s use of color, landscape design, character dialogue and atmospheric music all help to build a rich, vivid, sensory picture of this once-great but slowly dying coal town, injecting so much personality that the setting almost feels like a character. Which not only makes it a fantastic backdrop for the unfolding story, but a neat metaphor for what’s going on with Mae herself. And… also a little bit of something deeper and darker.
It’s been a while since I played the previous Assassin’s Creed game, so I decided it was high time to continue on with the series. Black Flag was next in the main storyline, so I dove right in and blew my way through it in record time. Once again, my biggest problem with these games is female representation. It’s just… not good, and if there were one thing I wanted the games to improve on, that would be it. As for everything else, sure, it’s not perfect, but like its predecessor, Assassin’s Creed IV is remarkably on point when it comes to race issues, as well as just being a fun gaming experience.
Despite this year being packed full of great games already (just look at games like NieR: Automata and Breath of the Wild!), the Spring/Summer season never fails to hype even more games coming in. No doubt E3 has an impact on this, but even before games are shown there, companies are making announcements and releasing information on their upcoming projects. Being the maverick that they are, Nintendo has already teased many of their big upcoming projects. The title that caught my attention the most was the follow up to 2015’s Splatoon, a game I had an immense fondness for.
With E3 just around the corner, it’s difficult not to get hyped up about the video game industry!
…No, I lied. Given the last couple of years, on the whole E3 has kind of been lacking on what the emerging, diverse gaming populace want to see in their games. Some game companies are trying, like Guerrilla Games and their game Horizon Zero Dawn, but still end up missing the mark; for example, with Horizon, many Native players and onlookers found that their culture was appropriated and misrepresented because there were no actual Native people serving as consultants or even on the writing team. With game companies being so strangely reluctant to actually collaborate with people from the culture their game is going to represent, I found myself keeping away from one game series in particular: Far Cry.
The Far Cry series has been around for more than a decade and the gameplay within its more recent installments (FPS with both action and RPG elements) always attracts praise from critics and players alike. However, what put me off the series is the way it seems to embody the idea that cultures not our own are in some way barbaric and in need of liberation. For instance, 2012’s Far Cry 3 stars Jason Brody—like, seriously, have you heard a more “white guy from Orange County” name in your life?—who is captured by a pirate crew during a party along with his friends and brother on an island in the Indian Ocean, and gets caught up in some slavery ring/drug cartel businessbecause of course that’s what’s happening. 2014’s Far Cry 4 feels like it takes a step in the right direction, having its (still male) protagonist Ajay actually have ties to the Nepalese-inspired culture of Kryat, where the game takes place. However, I can’t find anything that leads me to believe that Ubisoft actually consulted anyone from the Nepal area to help with their worldbuilding, and instead simply sent their team to Nepal to draw their own conclusions.Yet with the upcoming Far Cry5 I can’t help but be excited because for once, the protagonist won’t be restricted to being a dude. Additionally, there’s no uncomfortable feeling of going overseas and bringing American justice to foreign people. Far Cry 5 takes a controversial–or perhaps just controversial given the political climate—look at a villainous group that’s been avoided for far too long in the series: white people.