In The Flesh is very important to me (you can read an introductory review of Season 1 by Ace here), and Kieren Walker, in particular, is very important to me. He’s an artist. He doesn’t want to stand out but at the same time he stands up for the mistreated. He spends a lot of time wanting to run away from everything but when it counts he decides to stay. He has a history of depression. He is also a LGBTQ+ character, which is one of his defining characteristics but not the defining character feature. The way Kieren’s sexuality is portrayed on the show and talked about by the creators isn’t perfect, but it is also extraordinarily positive in quite a few ways.
Trigger warnings for brief mentions of suicide and depression below. Also mild spoilers concerning Kieren’s character development and relationships.
A little more than a month ago, I brought to light my dislike for the white mage trope in RPGs and my wishes that such lazy tropes would be re-worked into more dynamic characters in the future. I still very much think this, but in writing said article I made myself consider the white mages that I had already come across in my gaming life. Unsurprisingly, the character that I automatically think of when considering this trope is not, in fact, Yuna from FFX, but Colette from Tales of Symphonia.
This is an obvious choice in my case because, while my brother certainly is a fan of the Final Fantasy series, I never really got into it until X-2 and honestly, I’m still not really into the series beyond that specific game. Instead, my first true foray into the JRPG scene, and probably the RPG scene as a whole, was Tales of Symphonia. Its story focuses on a religion that has been perverted to the point of sacrificing someone in waking up the goddess that will bring mana back to the world, and it just so happens to be Colette that has been chosen to—rather, has been bred to—become this sacrifice. However, most people aren’t aware that this ‘chosen’ will end up giving their life, and instead believe that they will become an angel. As such, it makes sense for Colette to carry the typical angelic-healer looks and personality: blonde hair, blue eyes, white clothes, and a sense of self-sacrifice that could make anyone around her feel ashamed.
Yet Colette isn’t the healer/white mage of the group. In fact, Colette gets no healing abilities and is actually more aggressive in her play style. The healer in Symphonia is Raine Sage, a somewhat bitter half-elf who has more fondness for ruins than for the people around her. I bring these two up not because Colette is exempt from the white mage trope due to her lack of healing skills (she’s still a “white mage” in terms of motivation), but because the game actively presents opportunities in which the audience can re-evaluate the inherent tropiness of having someone be a “white mage” in the first place.
Someone is building machines that look and act like people.
Meanwhile, the Winter Soldier tries to be Bucky Barnes.
A couple months ago, Captain America: The Winter Soldier came out, and suddenly the casual Tumblrite couldn’t walk two virtual steps without getting hit in the face by Sebastian Stan. There were so many gifs, theories, and emotions about the movie that I briefly considered blocking any mention of Sebastian and his character, the Winter Soldier, but as that would actually mean blocking the majority of content on my dashboard, I refrained. And somewhere within the deluge of feels, I found this amazing fic. So all in all, I’m pretty glad I didn’t block anything.
Tumblr is convinced this will be the title for Captain America 3. (gif via countess-chocula)
Other than Studio Ghibli’s films, it’s been quite a while since I’ve watched anime. Though I enjoy the occasional manga, it’s not something that I go out of my way to consume. This is probably because I’m not the biggest fan of either shounen or shoujo. I personally find both these genres much more structured than I would like. All too often, one shounen will feel too much like another, and that goes for me and shoujo as well.
But despite my feelings against this kind of narrative formula, there still remain some aspects of the shounen genre that I really do love. And if there was one shounen that I knew I wouldn’t mind sitting down and rewatching, it was, without a doubt, Bleach.
Christine Daaé may not be the title character of the musical The Phantom of the Opera, but she is the one with the most stage time and arguably goes through the most visible character arc. Despite these two facts, however, she’s not looked on too favorably by critics. She’s often thought of as flat, boring, and a character whose plot is in service of others’. Is there any truth to these claims? If so, is it possible to still consider Christine a worthwhile character from a feminist standpoint?
Recently, there has been some fantastic news for Bubbline (Princess Bubblegum/Marceline) shippers everywhere! Olivia Olsen, the voice of Marceline the Vampire Queen and a contributing author for the The Adventure Time Encyclopaedia, said at a book signing that Marceline and Princess Bubblegum totally used to date.
In case you are unable to listen or can’t hear the video, this is the full text of what Olsen said:
I was at the studio on Tuesday and Pen was actually there because he was recording for Lumpy Space Princess [crowd goes wild!] and I wanted to ask him a lot of questions, because he’s trying to write the book and stuff, so I wanted to pick Pen’s brain a little bit. And he says, “Oh, you know they (Marceline and PB) dated, right?” And I said, “Wellll, that’s what I figured from all the creepy fan art.” [crowd goes wild again!] And I said, “Are they going to do it on the show at all, or can we say anything about it in the book?” And he’s like, “I don’t know about the book, but in some countries where the show airs, it’s sort of illegal.” So that’s why they’re not putting it in the show.
After hearing this statement I, along with many other fans, rejoiced that Bubbline was now canon, but I was also feeling disappointed. My disappointment stems from the fact that still more queer characters in children’s shows and movies are still basically being forced into the closet. While Adventure Time is not withoutits issues, for the most part it has been a pretty progressive show, especially in its portrayal of female characters and various feminist issues. I had hoped beyond hope that maybe, just maybe Bubbline would soon be canon and that Adventure Time would go down in history as the first children’s cartoon to predominantly feature a queer relationship.
I spend a lot of time on Tumblr, and so I have to ask: is it just me, or does Tumblr seem to be really, really into demons? There’s the conventionally attractive demons on Supernatural, of course, and demons, devils, and the Devil have made their way into most genre media. But the concept of demons seems to be, well, Tumblr vogue—especially the cute, grumpy type. Just look at Tumblr’s webcomics: Satan and Me, Belial and Reno, and now today’s web crush: Bara Demon and Guy.